She begged her parents to bring her to auditions in the city for commercials, hand-modeling gigs, anything-a five-hour drive that they would often make after school. I was always super motivated to do things.” For a while, she insisted she was going to become an Olympic gymnast-she had a Gabby Douglas poster on her wall.
“I would get a microphone from the Dollar Tree and make up songs about being lost in the grocery store,” Rodrigo says. Rodrigo’s parents, laid-back and (they’d be the first to tell you this, she says) not at all creative, found themselves with a guided missile toward Hollywood on their hands. “He’s introducing me to all the bands he went to see when he was my age.” A few weeks ago, they went to see Depeche Mode, too. “I’m going to see them in two weeks with my dad,” she tells me.
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Her paternal family is Filipino, as my family is, and in A-1 Records, we joke about the more-or-less accurate ethnic stereotype about Filipinos: We all know how to sing. Rodrigo, a bubbly and precocious go-getter, embraced the vibes, going to the county fair to see Weezer for her first concert on YouTube, you can watch her at eight years old, singing “Home Sweet Home” by Mötley Crüe in a local talent competition. Her mom was a teacher, her dad a therapist, and their musical taste leaned toward grunge, rock, and alternative: No Doubt, the White Stripes, ’80s metal, riot grrrl. Rodrigo was born in Riverside County, in Southern California, the year that Taylor Swift moved to Nashville to become a country star.
Rodrigo describes her new music as being “about figuring stuff out, about failures and successes and making mistakes.” opposite: Miu Miu turtleneck sweater and briefs.
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